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  • Episode Name:
    Doppel Date
  • Air date:
  • Summary:
    Teddy realizes it’s time to move on and meets a new guy – who looks just like Spencer.


The show sticks to the Disney formula of having present, loving parents who tend to need more supervision than the children. While lacking much of the smart-alecky backtalk that some of the Nick shows have drawn fire for, the Duncan children, particularly the middle schooler Gabe, have no problem talking to their parents as their peers. Mom Amy may be a nurse, assuming a degree of intelligence, but she craves attention like a child; Dad Bob has his own bug-extermination business but seems to be lucky he can function on his own, as he comes across dim-witted beyond belief.

Each Duncan child is a stereotype: PJ, the oldest son, takes after his father in being slow-witted; high-schooler Teddy is the straight-A, neurotic overachiever; middle-schooler Gabe is the caustic, scheming pre-teen, and toddler Charlie steals the show with a cute word or smile.

The formulaic characters provide a comfortable familiarity to the ‘tweens who watch the show – they know what to expect, they know that they’ll get a laugh, and they know everything is neatly resolved by the end of the episode. The parents manage to be loving and supportive and offer disciplinary action when warranted; for instance, when Teddy is caught in a lie, she is grounded; when Teddy goes through a bad breakup with her boyfriend, her mother is there to hold her and tell her it will be okay. The kids come together and care for one another and their parents and have friends who they surround themselves with. They are good kids, a good family, with their quirks – kind of like most families.

Good Luck Charlie is a Disney Channel show that follows the Duncan family, a family of six. The title refers to the youngest, Charlie (Charlene), and the videos that her family makes for her as a guide to growing up. Every video ends with her oldest sister (and star of the show) Teddy, played by Disney Channel favorite Bridgit Mendler, wishing Charlie “good luck” as she navigates her wacky family.

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  • Episode Name:
    The Climb
  • Air date:
  • Summary:
    Tywin plans strategic unions for the Lannisters. Melisandre pays a visit to the Riverlands. Robb weighs a compromise to repair his alliance with House Frey. Roose Bolton decides what to do with Jaime Lannister. Jon, Ygritte and the Wildlings face a daunting climb.


Perhaps it’s just me, but there’s a distinct feeling of tension between Brienne and Jaime, especially after everything the two have been through together. However, I can’t decide if it’s a mutual respect, a platonic friendship or something more…

Regarding another romance that’s been a while coming, things actually do heat up between Ygritte and Jon Snow. The two, in the midst of the freezing landscape, manage to sneak off, find a warm, well-lit cave and get it on. I’m not begrudging the sex scene for the sake of it, but it’s evidence that the plotline is moving at a glacial pace up beyond the Wall. Where are these wildings we were meant to be so terrified of?

Firstly we catch up with Jaime and Brienne, who have come to be with a more hospitable crowd of northerners than before. So cordial that Jaime is taken to a doctor. This wizened old healer advocates that age old remedy of stripping the wound of its rotting flesh, before dousing it in boiling wine. Lots of screaming follows.

Jaime, suffering mild delirium from his septic stump, recounts to Brienne the story of how his got his nickname, which he’s apparently not fond of. Turns out the Mad King, to whom Jaime served, was a pyromaniac, intent on burning King’s Landing and its inhabitants. Jaime was deemed an oath breaker, and a Kingslayer, for killing the King.

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  • Episode Name:
    The Phenomenon
  • Air date:
  • Summary:
    An unexpected event bonds both “Bombshell” and “Hit List.”

For Kyle, it’s a final farewell to his best friend, and it’s punctuated by “Last Goodbye”, a Jeff Buckley song which Andy Mientus performs with genuine pain etched on his face. It’s a wonderful number, though it ends with the car accident that, presumably, takes his life, and it’s such a sudden turn in the narrative that it’s almost impossible to process. If Smash had always intended to do the Rent storyline with Kyle, then I definitely never saw it happening by way of a car accident. And I certainly didn’t see it happening this soon, particularly since the episode ultimately sees Hit List fail to get picked up for a Broadway premiere. But then, who knows? Maybe they’ll subvert expectations by having Kyle live, and avoid trivializing the very real, tragic backstory behind one of Broadway’s most famous shows. But given the melodramatic nature of this episode, I sincerely doubt it.


As “The Producers” ends, Kyle (Andy Mientus) is struck by a car, and though we don’t know if he dies or not, the prevailing wisdom suggests he probably does. Why? Because it would make the Hit List‘s parallels to Rent all the more overt. Since Jonathan Larson passed away before Rent began its legendary Broadway run, I had a sneaking suspicion they might try to do the same with Jimmy (Jeremy Jordan) and Kyle, given that Hit List seems to want to pass itself off as an ersatz version of the hit musical, from an aesthetic perspective. I dreaded that we were going to get the storyline in which the bad boy carries out his best friend’s dream in his honor, yet as the season wore on, I felt pretty confident that this wouldn’t actually be the case. At least until those closing few seconds. Kyle has a falling out with Jimmy over his week-long bender following his breakup with Karen (Katharine McPhee), which causes him to bomb onstage, missing cues and improvising new blocking during crucial numbers. He even causes Karen to suffer an injury when he fails to catch her during the show’s climactic number. Worse, Jimmy has announced to the world that Kyle cheated on his boyfriend with Tom (Christian Borle). Fed up, Kyle goes back to his apartment, gathers Jimmy’s things in a bag, and drops them off at Adam’s house, where Jimmy is off getting high.

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Episode Name: Zach Galifianakis / Of Monsters And Men
Air date: 5/4/2013
Summary: Host Vince Vaughn; Miguel performs.


Overall I’ve been pleased with this season. The departures of Kristen Wiig and Andy Samberg suggested the show might go through another rebuilding year, but the cast has filled in nicely, with new female cast members emerging as breakout stars, Jay Pharoah stepping up to the plate as President Obama, and Bobby Moynihan seeing significantly more screen time. Although we might not have noticed due to a string of weak hosts, the writers room has been generating some of the most original content in seasons. A less historic election resulted in less inspired political material, though there were a few highlights. Let’s get right to it.

Ratings. While not as high as the 2008 election season’s, SNL’s ratings this season have still been about average, hovering around the 5.0 mark. Bruno Mars hosted the season’s highest-rated episode on Oct. 20 with a 5.4 rating, the highest since last season’s Lindsay Lohan episode. Daniel Craig’s Oct. 6 episode scored the season low at 4.5. The Oct. 27 re-broadcast of Seth MacFarlane’s season premiere scored a 4.1, making it the highest rated SNL rerun in two years.


We’re at a rest period in the middle of SNL’s 38th season, and now seems like a good time to present all the Nate Silver-esque data I’ve been compiling over the past few months. Below are some stats from this season, including ratings, online views, cast member screen time, hosts, and top sketches, which will whet your appetite before the show returns on January 19.

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  • Episode Name:
    The Crimson Horror
  • Air date:
  • Summary:
    Something ghastly is afoot in Victorian Yorkshire, as bodies are found with their skin a waxy, glowing red.


After the Doctor and Clara first set off on this week’s adventure and made it to the planet, there was a bit of a feeling that this episode would spend a tad too much time lingering before getting to the actual plot. True, this issue happened more with Davies at the reigns than Moffat, but many longtime fans might still feel the itch with an introduction that takes up almost the first half of the episode’s entire runtime. That is, until the singing starts.

When the god had consumed all of the Doctor’s memories, leaving him weak (but still with his memory), it was up to one silly girl, Clara, with humanity’s most important leaf, to save the day. This ending does, however, get a bit clouded with talk of infinite futures and infinite moments. Still, at this point in the episode, any explanation as to why the leaf worked was welcome, and the fact that a beautiful story about Clara parents was told made its inclusion more than worth it.

As one should have expected, Cross’ lengthy beginning to his first episode was as calculated as any episode of his own hit show. While it’s true that Clara’s adventures at the market or with Mary, the Queen of Years, didn’t really help to build the sense of a complete world, it does make you feel familiar enough to sit back and enjoy their memento-filled musical offerings, of which there were multiple, each one more moving than the last. And then the Doctor, in all his glory, delivers a monologue so passionate that fans now have a small sense of the tearful heartbreak that will come when Matt Smith eventually exits the role. Still, the Doctor was not enough for the god.

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  • Episode Name:
    Fight or Flight
  • Air date:
  • Summary:
    With the Aster Corps quarterly report just days away, executive Nicole Farington (guest star Frances Fisher) becomes increasingly desperate and the pressure is on for Calvin Norburg to deliver results from the company’s ongoing study of the “Righteous 36.” Following an intense encounter with Aster Corps enforcer Tanner (guest star Sweeney), Martin schemes alongside Trevor Wilcox (guest star Greg Ellis), who puts it all on the line to go undercover and prevent the company’s distressed executives from harming innocent test subjects in the name of corporate greed.


It probably started with us seeing Avram again as two men came to kill Martin and kidnaps the kids. Something about his need to say someone’s full name eventually annoys the hell out of you, much less the fact he is so amused by Jake that he follows him like a puppy gets ridiculous after awhile. But, considering where doing so gets him in this episode, hopefully he will have learned his lesson.

Also, I must say I am starting to get tired of Jake giving the lucky lotto numbers then expecting everyone to go on a wild goose chase to find what the numbers mean, much less no one coordinating the information they have so that everyone knows what is going on. For example, after Martin talks with Detective Lange and spills his guts about all that has happened since they left New York, with Amelia backing what he says, he goes on a spree looking for Avram and never thinks about calling.

Then, add on this search for the 36 which is continuing. Now, I get Aster Corp has found a way to lure in at least 7 members by opening a front which uses their brains while they sleep, and then drugs them, but this whole one person per episode thing is getting sort of boring to me. This episode features a battlefield doctor (McCormick) who left the army and then had trouble sleeping. With his hands being touched by god, it is determined he is likely one of the 36 of which Aster Corp are using. Naturally, Jake is the one to ultimately find him, but for once, he doesn’t get his way. You see, after Martin had to escape his home to go to Avrams, he wanted Jake to stay inside with Avram and not go anywhere. Avram, being the man he is, follows Jake blindly and just tries to piece things together than be the adult in the situation. So, when Martin, with Amelia’s visions helping, finds Jake, he yells at Avram and leaves him where he is. Then, right after some men kidnap him.